Pixelated Warfare: A Comparative Study of War Imagery in Film
For a summer fellowship, he analyzed 30 films—from Full Metal Jacket (1987) to The Creator (2023)—mapping shifts in war cinema from embodied soldiering to algorithmic targeting. Using critical mapping, contextual analysis, and film theory, his research explored how digital technologies reshape the visibility, intimacy, and abstraction of violence, comparing Hollywood and international perspectives.